Jing XIA
guzheng
Jing Xia is a guzheng performer, intercultural arts promotor, Chinese music scholar and educator. Xia has received numerous awards and accolades, including the prestigious Golden Bell Award; the Master of a Chinese Traditional Musical Instrument designation by the California State Senate; the Master Artist Award by Southwest Folklife Alliance; the 2022 Top 10 Outstanding Chinese American Youth Award; and the 30 Selected Leaders for the Future by the All American Chinese Youth Federation. She was selected to be featured in the 2016 Cultural and Artistic Achievement stamp and postcard series released by China Post.
As a performing artist, Xia has been invited to perform concerts with the “Forbidden City Chamber Orchestra” along with the Vienna Symphony Orchestra, Beijing Symphony Orchestra, China National Traditional Orchestra, Huaxia Chinese Orchestra, Chandler Symphony Orchestra, and Southern Arizona Symphony Orchestra. She has traveled on concert tours to Switzerland, New Zealand, Spain, Malaysia, Japan, South Korea, Burma, Bangladesh, and the USA.
Aside from her devotion to the culture of traditional music, she is also enthusiastic about exploring new music, techniques, idioms, sounds, genres, cultures, and other aspects of musical perception. Her intercultural music project, the Duo Chinoiserie, seeks to build new musical bridges between the East and West. The award-winning album CHINOISERIE includes new works written for the Duo by renowned composers. Xia’s performing style of the guzheng is calm and subtle, yet very powerful and emotional.
Xia started her guzheng studies when she was four years old. Since then, she has delved into the world of guzheng music and studies with many famous Chinese guzheng masters. She holds a Master of Musicology and a Bachelor of Arts degree from the China Conservatory of Music. She is a Ph.D. candidate of Applied Intercultural Arts Research with an emphasis in applied ethnomusicology and health promotion science at the University of Arizona. Her research specializations include applied and intercultural approaches to the study of music, culture, and wellness; traditional music as a means to enhance the wellbeing of the Chinese diaspora; and the study of the Qing zheng score Shiliu Ban from “Xiansuo Beikao.” She has published articles in the Society for Ethnomusicology (SEM), and her research has been selected for presentation at the Association of Chinese Music Research (ACMR) meeting, the International Council for Traditional Music (ICTM) conference, and the National Organization of Arts in Health conference.